A Manifesto for the Experimental Music Producer of the 21st Century

To summarise my path in the world of Sound Arts and music production, and create a piece of writing as basis to my future practice, I have decided to create a manifesto as final dissertation for my course in Sound Arts & Design, with the hope of it being of help to other people like me in the future. The dissertation is structured in four chapters, offering personal views supported by other practitioners and theorists in the related fields of Sound Arts, electronic music and anthropology. The question the writing is going to answer is: How does the experimental music producer develop an informed practice in the context of the virtual social spaces of the digitalised society?